"Patriotism is the last refuge of a scoundrel."
"I never desire to converse with a man who has written more than he has read."
Or one of my favorites:
"The true measure of a man is how he treats someone
who can do him absolutely no good."
We are indebted to Mr. Boswell not only for carefully recording so much of Johnson's wit and wisdom, but also for preserving the character and substance of the great man himself, his essence. And one need only peruse a few pages of Johnson's Dictionary of the English Language to grasp the vastness of his prodigious reading history.
My present absorption with Sam Johnson is that after nearly more than five decades of somewhat cobwebby awareness of Boswell's masterwork, I am actually reading the thing that has been called the great-granddaddy of all biographies, certainly the standard-setter for the genre for the past 225 years. I do not know why it has taken me so long. I actually bought my copy some years ago, and I expect the small print and the gravity of its pedigree, in both subject and author, were intimidating.
It needn't have put me off. The book is a complete delight, interlacing the events of Johnson's storied career as an essayist, literary critic, lexicographer, and raconteur with verbatim accounts of conversations with the great man. The narrative is so delicious and compelling that I feel almost like an intimate of Johnson, along with Boswell and other members of the literary club that generated so much of the book's wit. It is a rare delight, to be carried along in the company of great minds, as I was also when reading Goethe's Italian Journey.


The descriptions and observations of Johnson by Boswell recreate a lively personage; I note that in film and BBC productions, Johnson has been played by Robbie Coltrane (Hagrid in Harry Potter films) and Peter Ustinov. I would cast Timothy Spall, another of the great, unpretty British character actors who fill the screen with the force of personality. And I have been further delighted to learn that Sam Johnson and I have much in common! We both have only one usable eye, are prone to melancholy (depression, in today's parlance), dress appallingly, cannot suffer fools, and read widely, guided only by the moment's appetite. Indeed, Johnson said that if one reads by design or plan, for the purpose of gaining specific knowledge, as we do in college, for example, we read with only 50% of our minds, as the other 50% is busy keeping us to the task at hand. Clearly, Boswell's Life of Samuel Johnson is a book to engage 100% of one's attention. Why did I wait so long?